On-the-One Funk drum pattern

A two-bar James Brown-school groove built around a massive downbeat: the heaviest kick of the bar on 1, a sparse answering kick, tight eighth hats and an open hat that lifts into the next one. Press Play to hear it with a sampled drum kit at 112 BPM, change the tempo or swing, and follow every hit on the grid.

How to count the On-the-One Funk

Count it as: 1 e & a 2 e & a 3 e & a 4 e & a · two bars. The pattern is a 2-bar phrase in 4/4 (two-bar 16th-note downbeat funk pocket).

The On-the-One Funk pattern, hit by hit

Each character is one step of the grid and each group is one beat. X is an accented hit, x a normal hit, o a quiet or ghost note and - a rest.

On-the-One Funk drum pattern (4/4, two-bar 16th-note downbeat funk pocket)
VoiceBar 1Bar 2
KickX-x- ---- --X- ----X-x- ---x --x- ----
Snare---- X--- ---- X------- X--- ---- X---
Ghost snare---o ---o -o-- ---o---o ---- -o-- -o-o
Closed hatx-o- x-o- x-o- x-o-x-o- x-o- x-o- x---
Open hat---- ---- ---- -------- ---- ---- --x-
Pedal hato--- ---- ---- -------- ---- ---- ----

Tempo and feel

Everything points at beat 1. The rest of the bar stays lean and tight so the one lands like a door slamming. The default tempo is 112 BPM. It plays with 53% swing by default; move the Swing control toward 50% to hear it straight. Slow it down until every hit is controlled, then raise the tempo a few BPM at a time.

How to practise the On-the-One Funk

Play only beat 1 and the backbeat until the one feels twice as heavy as anything else. Add the and-of-1 and and-of-3 kicks softer than the downbeat. Open the hat on the and of 4 in bar two and close it exactly on the next 1.

Variations to try next

Drop every kick except beat 1. Add a crash on the one of bar one. Play the hats as straight 16ths for a busier verse.

Where to hear this feel

Records in this family include James Brown - Papa's Got a Brand New Bag, James Brown - I Got You (I Feel Good), James Brown - The Payback and James Brown - Get Up Offa That Thing. A style study of the James Brown principle of the one: from the mid-60s Brown had his band put the weight of the bar on beat 1, and his drummers kept everything else lean so the downbeat hit hardest. It is authored for practice, not transcribed.